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IT was a gray, cold day, unusual for May, the kind of day that accords with ill-nature. It reminded Billy of the incident of the opera when Rain and Storm, driven by his own insistence, had blown in on the stage quite out of season, and dragged off with them the remnants of winter. For the first Sunday since May Nell’s coming he took his wheel after dinner and went off alone. He was in accord with the sullen sky and air. In the morning he had answered his mother angrily; because Bouncer wished to play instead of coming through the gate when called, Billy had slammed it on his tail, knowing well that in a happier mood he would have been more careful.,

“I don’t know what’s the matter,—I’m drowned, I guess.” His teeth rattled, and the hand he put out to her was icy cold.,

Betty, who had understanding, was not turned from the subject of her thoughts.,

“He’s been pushin’ up the daisies fer thirty years, I ain’t goin’ to warble to please no tombstun.” Moses swung a ponderous foot to give emphasis to his decision.

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This conversation took place in Billy’s shop, a room adjoining the wood-house and given over to his use. Nothing short of the world in the second verse of Genesis was equal to the chaos of that place. Every conceivable scrap and job lot of “truck” was there in a jumbled heap; and Billy was never happier than when mussing it over in search of “material”; in greasy overalls and crownless hat, whistling merrily, bringing forth to substance and form the inventions of his busy brain.,

He sat by the table in his dressing-room with angry storm-swept countenance. He had been capturing loud plaudits with his rag-time, until intoxicated with success, he swept into a tornado of music by Moskowski. The applause died away; two ladies in the front row began chatting. The enraged artist jumped from the piano-stool, and shouting “Pigs!” raced from the platform.,

“It’s only a chop left from yesterday,” he excused on his return.,

“Git in there, an’ no nonsense,” ordered Moses, who was chafing at the delay.